Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.14279/31685
DC FieldValueLanguage
dc.contributor.authorPericleous, Vicky-
dc.contributor.authorZografos, Vasilis-
dc.date.accessioned2024-02-28T12:01:25Z-
dc.date.available2024-02-28T12:01:25Z-
dc.date.issued2023-10-
dc.identifier.citationLola Nkolaou Art Gallery, 2023, 3-27 October, Thessaloniki, Greeceen_US
dc.identifier.urihttps://hdl.handle.net/20.500.14279/31685-
dc.description.abstractVicky Pericleous – Vasilis Zografos The unsettling event of an enigma (to be forever, but never to have been*) Lola Nikolaou gallery Opening: Tuesday 3 October 2023 from 18:00 to 22:00 Duration 3-27 October Curation: Vicky Pericleous – Vasilis Zografos The exhibition is developed through a subversive and evocative dialogue towards a visual investigation that primarily, seeks to choreograph the invisible, in-between space. The dialectic that is, space between the works, and consequently, the space, which is constituted through the viewers’ interpretations. The site-specific installation emerges in space through a set of spatiotemporal expansions, folds and compactions. All these, a product of visual performativities and speculations, could finally, be inscribed as the after-sound of one or multiple events. The title of the exhibition recalls Man Ray’s work ‘L’Enigme d’Isidore Ducasse’, 1920 and the subtitle is taken from Jorge Luis Borges’ poem ‘The Enigmas’ from the collection ‘Jorge Luis Borges, Selected Poems, 1923-1967’ of 1972. This collaborative installation, with the intention to engage the invisible as real and the immaterial as vital, in order to explore and expand the visible and the perceptual, constitutes, essentially, a political act. The enigmatic object in Ray’s work critically reference the emblematic for surrealism, phrase by Isidore Ducasse (1809-87), better known as Comte de Lautréamont, ‘‘Beautiful as the accidental encounter, on a dissecting table, of a sewing machine and an umbrella’, re-surfaces on the dissecting table of today’s – labyrinthine- worlds, as a ghostly reminder, in present tense. A reminder of the opening or the possibility of art –not only- towards a surprising image or a mystery-image, but towards the rising of this in-between dialectical space, -between objects and subjects-, as a surprising space or a mystery-space. This intangible but active space, engages in the production of the exhibition as a vital space and as a space of multiplicities. Its substances, could, potentially, re-engage, deviate or re-locate, visually and perceptually, the works themselves, into other –allusive- views and propositions.en_US
dc.language.isoenen_US
dc.rightsCC0 1.0 Universalen_US
dc.rights.urihttp://creativecommons.org/publicdomain/zero/1.0/*
dc.subjectArtsen_US
dc.titleThe Unsettling Event of an Enigma, *to be forever or never to have beenen_US
dc.typeExhibitionsen_US
dc.linkhttps://lolanikolaou.com/exhibition.php?lang=enen_US
dc.collaborationCyprus University of Technologyen_US
dc.collaborationAristotle University of Thessalonikien_US
dc.subject.categoryArtsen_US
dc.countryGreeceen_US
dc.countryCyprusen_US
dc.subject.fieldHumanitiesen_US
dc.publicationSelected Artworken_US
dc.identifier.participationExhibitionen_US
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.grantfulltextnone-
item.cerifentitytypePublications-
item.fulltextNo Fulltext-
item.languageiso639-1en-
item.openairetypeExhibitions-
crisitem.author.deptDepartment of Fine Arts-
crisitem.author.facultyFaculty of Fine and Applied Arts-
crisitem.author.parentorgFaculty of Fine and Applied Arts-
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