Please use this identifier to cite or link to this item:
https://hdl.handle.net/20.500.14279/21217
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Koutsomichalis, Marinos | - |
dc.date.accessioned | 2021-02-23T21:32:30Z | - |
dc.date.available | 2021-02-23T21:32:30Z | - |
dc.date.issued | 2021-02-28 | - |
dc.identifier.uri | https://hdl.handle.net/20.500.14279/21217 | - |
dc.description | Algorithmic network-art audiovisual composition/performance. Individuals live-stream audio/video to a server in Germany, wherein bespoke software process/manipulates that in real-time (also taking into account textual instructions sent by the composer and selected individuals) to compose a synthesised audio/visual stream to be further streamed for performance. The work is to be premiered at 'AudioBlast #9: Divergent Landscapes' festival that takes place in Nantes, FR and Online. | en_US |
dc.description.abstract | In the wake of multiple lock-downs and extraordinary political manoeuvring affecting everyday life globally, this project inquires the possibility of a (post-)pandemic distributed utopia---the possibility of a new hybrid public/private space wherein fragmented aspects of the everyday are juxtaposed and orchestrated in ever-creative fashions. Individuals compose and selectively live-stream local (ir)rationalities concerning their immediate surroundings; utilising objects, radio receivers, web-cameras, window views, poetry, improvised bedroom noises, their own moving bodies, and other. These streams are further manipulated on the account of a group of performers (issuing arbitrary instructions) and a software automaton running on the server (selectively executing the former instructions). In this fashion, an improvised cybernetic audiovisual landscape emerges---one that is intended as an introspection of the complex dynamics forged at the intersections of local pandemic (ir)rationalities, their improvised and semi-automated manipulation, and a public broadcast thereof. | en_US |
dc.format | algorithmic network-art audiovisual composition/performance | en_US |
dc.title | (Ir)rationalités In/Ex-térieures | en_US |
dc.type | Performance | en_US |
dc.type | Software | en_US |
dc.collaboration | Cyprus University of Technology | en_US |
dc.subject.category | Arts | en_US |
dc.country | Cyprus | en_US |
dc.country | Germany | en_US |
dc.country | France | en_US |
dc.subject.field | Humanities | en_US |
dc.publication | Non Peer Reviewed | en_US |
cut.common.academicyear | 2020-2021 | en_US |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
item.grantfulltext | none | - |
item.cerifentitytype | Publications | - |
item.cerifentitytype | Publications | - |
item.fulltext | No Fulltext | - |
item.openairetype | Performance | - |
item.openairetype | Software | - |
crisitem.author.dept | Department of Multimedia and Graphic Arts | - |
crisitem.author.faculty | Faculty of Fine and Applied Arts | - |
crisitem.author.orcid | 0000-0002-3876-9064 | - |
crisitem.author.parentorg | Faculty of Fine and Applied Arts | - |
Appears in Collections: | Art and Design |
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