Please use this identifier to cite or link to this item:
https://hdl.handle.net/20.500.14279/19173
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Ioannou, Maria | - |
dc.date.accessioned | 2020-10-16T06:33:39Z | - |
dc.date.available | 2020-10-16T06:33:39Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | The Dickensian, 2019, vol. 115 par. 2, no. 508, pp. 155-168 | en_US |
dc.identifier.issn | 00122440 | - |
dc.identifier.uri | https://hdl.handle.net/20.500.14279/19173 | - |
dc.format | en_US | |
dc.language.iso | en | en_US |
dc.relation.ispartof | The Dickensian | en_US |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Literature | en_US |
dc.title | A 'pretty' Ending: Female Beauty, Agency and Identity in Bleak House | en_US |
dc.type | Article | en_US |
dc.collaboration | Cyprus University of Technology | en_US |
dc.subject.category | Languages and Literature | en_US |
dc.journals | Subscription | en_US |
dc.country | Cyprus | en_US |
dc.subject.field | Humanities | en_US |
dc.publication | Peer Reviewed | en_US |
dc.relation.issue | 508 | en_US |
dc.relation.volume | 115 par. 2 | en_US |
cut.common.academicyear | 2018-2019 | en_US |
dc.identifier.spage | 155 | en_US |
dc.identifier.epage | 168 | en_US |
item.openairecristype | http://purl.org/coar/resource_type/c_6501 | - |
item.openairetype | article | - |
item.cerifentitytype | Publications | - |
item.grantfulltext | none | - |
item.languageiso639-1 | en | - |
item.fulltext | No Fulltext | - |
crisitem.journal.journalissn | 0012-2440 | - |
crisitem.journal.publisher | Dickens Fellowship | - |
crisitem.author.dept | Department of Management, Entrepreneurship and Digital Business | - |
crisitem.author.faculty | Faculty of Management and Economics | - |
crisitem.author.parentorg | Faculty of Tourism Management, Hospitality and Entrepreneurship | - |
Appears in Collections: | Άρθρα/Articles |
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