Please use this identifier to cite or link to this item:
https://hdl.handle.net/20.500.14279/12938
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Christidis, Yiannis | - |
dc.contributor.author | Gazi, Angeliki | - |
dc.date.accessioned | 2018-11-28T11:51:52Z | - |
dc.date.available | 2018-11-28T11:51:52Z | - |
dc.date.issued | 2017-01 | - |
dc.identifier.citation | Checking... Cyprus and its conflicts : representations, materialities, and cultures, 2017, Pages 55-76 | en_US |
dc.identifier.isbn | 9781785337253 | - |
dc.identifier.uri | https://hdl.handle.net/20.500.14279/12938 | - |
dc.format | en_US | |
dc.language.iso | en | en_US |
dc.subject | Soundmarks | en_US |
dc.subject | Nicosia | en_US |
dc.title | Soundmarks of conflict in the city centre of divided nicosia | en_US |
dc.type | Book Chapter | en_US |
dc.collaboration | Cyprus University of Technology | en_US |
dc.subject.category | Media and Communications | en_US |
dc.country | Cyprus | en_US |
dc.subject.field | Social Sciences | en_US |
dc.publication | Peer Reviewed | en_US |
cut.common.academicyear | 2017-2018 | en_US |
item.fulltext | No Fulltext | - |
item.cerifentitytype | Publications | - |
item.grantfulltext | none | - |
item.openairecristype | http://purl.org/coar/resource_type/c_3248 | - |
item.openairetype | bookPart | - |
item.languageiso639-1 | en | - |
crisitem.author.dept | Department of Fine Arts | - |
crisitem.author.dept | Department of Communication and Internet Studies | - |
crisitem.author.faculty | Faculty of Fine and Applied Arts | - |
crisitem.author.faculty | Faculty of Communication and Media Studies | - |
crisitem.author.orcid | 0000-0002-6129-4677 | - |
crisitem.author.parentorg | Faculty of Fine and Applied Arts | - |
crisitem.author.parentorg | Faculty of Communication and Media Studies | - |
Appears in Collections: | Κεφάλαια βιβλίων/Book chapters |
CORE Recommender
Page view(s) 50
318
Last Week
1
1
Last month
9
9
checked on May 13, 2024
Google ScholarTM
Check
Altmetric
Items in KTISIS are protected by copyright, with all rights reserved, unless otherwise indicated.