Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.14279/8444
DC FieldValueLanguage
dc.contributor.authorZotos, Yorgos-
dc.contributor.authorHatzithomas, Leonidas-
dc.contributor.authorBoutsouki, Christina-
dc.date.accessioned2016-05-05T11:17:52Z-
dc.date.available2016-05-05T11:17:52Z-
dc.date.issued2011-02-01-
dc.identifier.citationInternational Marketing Review, 2011, vol. 28, no. 1, pp. 57 - 80en_US
dc.identifier.issn02651335-
dc.identifier.urihttps://hdl.handle.net/20.500.14279/8444-
dc.description.abstractPurpose – The present study aims to discuss the role of Hofstede’s cultural dimensions, uncertainty avoidance and individualism/collectivism, on the use of various humor types in print advertising, across culturally diverse countries. Design/methodology/approach – A sample of 12,351 ads (3,828 humorous) from the largest circulated UK and Greek magazines was content-analyzed in light of Speck’s humorous message taxonomy, emphasizing humor types and intentional relatedness. Findings – The results indicate that cultural diversity is reflected in the types of humorous devices that tend to be used in the UK and Greece. British advertisements incorporate not only sentimental but also disparaging humor types such as sentimental humor and full comedy, providing a great deal of pure entertainment. On the contrary, Greek print ads emphasize cognitive humorous appeals, in an attempt to provide credible information to the uncertainty-avoiding Greek audience. Practical implications – The findings of this study highlight some key aspects of UK and Greek print advertising that can be extended in other homogeneous cultures. In individualistic countries with low uncertainty avoidance, it seems that consumers prefer humor-dominant messages. On the contrary, in collectivistic countries with high uncertainty-aversion attitudes, humor can be used as a Trojan horse to convey the required information to the target group. Originality/value – The present study points out how advertisers’ intentions to entertain or to inform the target audience are expressed in the use of various humor types in advertising, underlining, also, the effect of cultural values on these communication decisions.en_US
dc.formatpdfen_US
dc.language.isoenen_US
dc.relation.ispartofInternational Marketing Reviewen_US
dc.rights© Emeralden_US
dc.subjectHumouren_US
dc.subjectNational culturesen_US
dc.subjectAdvertisingen_US
dc.subjectUnited Kingdomen_US
dc.subjectGreeceen_US
dc.titleHumor and cultural values in print advertising: a cross-cultural studyen_US
dc.typeArticleen_US
dc.collaborationAristotle University of Thessalonikien_US
dc.subject.categoryMedia and Communicationsen_US
dc.journalsSubscriptionen_US
dc.reviewPeer Revieweden
dc.countryGreeceen_US
dc.subject.fieldSocial Sciencesen_US
dc.publicationPeer Revieweden_US
dc.identifier.doi10.1108/02651331111107107en_US
dc.dept.handle123456789/54en
dc.relation.issue1en_US
dc.relation.volume28en_US
cut.common.academicyear2010-2011en_US
dc.identifier.spage57en_US
dc.identifier.epage80en_US
item.fulltextNo Fulltext-
item.cerifentitytypePublications-
item.grantfulltextnone-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.openairetypearticle-
item.languageiso639-1en-
crisitem.author.deptDepartment of Communication and Internet Studies-
crisitem.author.facultyFaculty of Communication and Media Studies-
crisitem.author.parentorgFaculty of Communication and Media Studies-
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