Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.14279/3984
DC FieldValueLanguage
dc.contributor.authorSouleles, Nicos-
dc.contributor.otherΣουλελές, Νίκος-
dc.date.accessioned2012-11-12T08:42:18Zen
dc.date.accessioned2013-05-17T09:58:05Z-
dc.date.accessioned2015-12-09T10:43:29Z-
dc.date.available2012-11-12T08:42:18Zen
dc.date.available2013-05-17T09:58:05Z-
dc.date.available2015-12-09T10:43:29Z-
dc.date.issued2011-
dc.identifier.citation5th International Technology, Education and Development Conference, 2011, Pages 4492-4501en_US
dc.identifier.isbn9788461474233-
dc.identifier.urihttps://hdl.handle.net/20.500.14279/3984-
dc.description.abstractThe objective of this research is to compare the noticeably prevalent perception among undergraduate studio-based art and design lecturers that elearning can contribute little or nothing to teaching and learning, against the rhetoric and literature of elearning associated with competencies for the knowledge economy. The inference is that elearning is unsuitable for the instructional strategies associated with art and design education. This anecdotal evidence together with the limited studies on the implementation of online learning technologies in art and design education, triggered this research. The significance of this study is that it seeks to contribute to the present re-evaluations of art and design education in the context of the knowledge economy. The core question is: how do the perceptions and practices of teaching staff in art and design disciplines compare and contrast with the associated rhetoric and literature of elearning and innovative practices? Consistent with the phenomenographic approach to research, this study pursues a second-order perspective, i.e. through a qualitative analysis of interviews this research deals with people’s experiences of aspects of the world. It considers the pedagogies associated with elearning for the premise is that the competencies required for the knowledge economy cannot be provided for unless there is a corresponding change in teaching and learning methods. This research confirms the prevalence of the perception that elearning can contribute little or nothing to teaching and learning and attributes this to the historical evolution of art and design pedagogies, the persistence of didactic methods, the false understanding of elearning as replacing rather than enhancing teaching and learning practices and the lack of sufficient and appropriate professional development and training opportunities for teaching staff. The implication is that there is a noticeable misalignment between perceptions and practices of elearning and the associated rhetoric and literature of elearning and innovative teaching and learning practices.en_US
dc.formatpdfen_US
dc.language.isoenen_US
dc.subjectArt and designen_US
dc.subjectTeachingen_US
dc.subjectLearningen_US
dc.subjectKnowledge economyen_US
dc.titleE-learning in art and design : perceptions and practices of lecturers in undergraduate studio-based disciplines and the rhetoric of innovative practicesen_US
dc.typeConference Papersen_US
dc.affiliationUniversity of Sharjahen
dc.subject.categoryArtsen_US
dc.countryCyprusen_US
dc.subject.fieldHumanitiesen_US
dc.dept.handle123456789/126en
item.grantfulltextopen-
item.fulltextWith Fulltext-
item.openairecristypehttp://purl.org/coar/resource_type/c_c94f-
item.openairetypeconferenceObject-
item.cerifentitytypePublications-
item.languageiso639-1en-
crisitem.author.deptDepartment of Multimedia and Graphic Arts-
crisitem.author.facultyFaculty of Fine and Applied Arts-
crisitem.author.orcid0000-0002-1059-942X-
crisitem.author.parentorgFaculty of Fine and Applied Arts-
Appears in Collections:Δημοσιεύσεις σε συνέδρια /Conference papers or poster or presentation
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