Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.14279/3961
DC FieldValueLanguage
dc.contributor.authorDanos, Antonis-
dc.contributor.otherΔανός, Αντώνης-
dc.date.accessioned2014-11-12T07:53:08Z-
dc.date.accessioned2015-12-09T10:25:48Z-
dc.date.available2014-11-12T07:53:08Z-
dc.date.available2015-12-09T10:25:48Z-
dc.date.issued2014-10-01-
dc.identifier.citationJournal of Modern Greek Studies, 2014, vol. 32, no. 2, pp. 217-252en_US
dc.identifier.issn10863265-
dc.identifier.urihttps://hdl.handle.net/20.500.14279/3961-
dc.description.abstractTwentieth-century Cypriot art, from its emergence within the conditions of colonialism to its flowering in the post-independence era, constitutes a case of an “other” modernism on the periphery. It was a “site-specific” modern­ism that responded to particularities of Cyprus’s experience of modernity. With regard to Greek Cypriot artists in particular, these responses included a varied negotiation of tradition as well as of modern art as part of both the need to define a collective identity for the colonial moment and the process of achieving a post-colonial present and future. The works of Adamantios Diamantis, Georghios Pol. Georghiou, and Christoforos Savva—three of the most prominent modern Cypriot artists—constitute important episodes in the course of Cypriot modernity, especially in the middle decades of the century. Taken together, their artistic oeuvres chart the trajectory of Greek Cypriot modernism in the pre-1974 era, the mapping of which contributes to the discourse of “alternative” instances in the history of modern art.en_US
dc.formatpdfen_US
dc.language.isoenen_US
dc.relation.ispartofJournal of Modern Greek Studiesen_US
dc.rights© Johns Hopkins University Pressen_US
dc.titleTwentieth-Century Greek Cypriot Art: An “Other” Modernism on the Peripheryen_US
dc.typeArticleen_US
dc.collaborationCyprus University of Technologyen_US
dc.subject.categoryArtsen_US
dc.journalsSubscriptionen_US
dc.reviewPeer Revieweden
dc.countryCyprusen_US
dc.subject.fieldHumanitiesen_US
dc.identifier.doi10.1353/mgs.2014.0050en_US
dc.dept.handle123456789/126en
dc.relation.issue2en_US
dc.relation.volume32en_US
cut.common.academicyear2014-2015en_US
dc.identifier.spage217en_US
dc.identifier.epage252en_US
item.languageiso639-1en-
item.cerifentitytypePublications-
item.openairetypearticle-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.fulltextWith Fulltext-
item.grantfulltextopen-
crisitem.journal.journalissn1086-3265-
crisitem.journal.publisherJohns Hopkins University Press-
crisitem.author.deptDepartment of Fine Arts-
crisitem.author.facultyFaculty of Fine and Applied Arts-
crisitem.author.orcid0000-0002-4950-0925-
crisitem.author.parentorgFaculty of Fine and Applied Arts-
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