Please use this identifier to cite or link to this item:
https://hdl.handle.net/20.500.14279/34590| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Zantides, Evripides | - |
| dc.date.accessioned | 2025-03-07T14:28:15Z | - |
| dc.date.available | 2025-03-07T14:28:15Z | - |
| dc.date.issued | 2004-06-25 | - |
| dc.identifier.citation | The 2nd International Conference on Typography and Visual Communication, Thessaloniki. | en_US |
| dc.identifier.uri | https://hdl.handle.net/20.500.14279/34590 | - |
| dc.language.iso | en | en_US |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | en_US |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
| dc.title | The use of type in Fine Art: How interpretation of the text defines perceptual stance | en_US |
| dc.type | Conference Papers | en_US |
| dc.collaboration | Cyprus University of Technology | en_US |
| dc.subject.category | Arts | en_US |
| dc.subject.category | Design | en_US |
| dc.country | Cyprus | en_US |
| dc.subject.field | Humanities | en_US |
| dc.relation.conference | International Conference on Typography and Visual Communication | en_US |
| cut.common.academicyear | 2004-2005 | en_US |
| item.cerifentitytype | Publications | - |
| item.openairecristype | http://purl.org/coar/resource_type/c_c94f | - |
| item.languageiso639-1 | en | - |
| item.grantfulltext | none | - |
| item.fulltext | No Fulltext | - |
| item.openairetype | conferenceObject | - |
| crisitem.author.dept | Department of Multimedia and Graphic Arts | - |
| crisitem.author.faculty | Faculty of Fine and Applied Arts | - |
| crisitem.author.orcid | 0000-0003-0874-455X | - |
| crisitem.author.parentorg | Faculty of Fine and Applied Arts | - |
| Appears in Collections: | Δημοσιεύσεις σε συνέδρια /Conference papers or poster or presentation | |
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