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Πεδίο DCΤιμήΓλώσσα
dc.contributor.authorPericleous, Vicky-
dc.contributor.editorPires, Helena-
dc.contributor.editorPinto-Coelho, Zara-
dc.date.accessioned2024-03-12T10:30:15Z-
dc.date.available2024-03-12T10:30:15Z-
dc.date.issued2023-06-
dc.identifier.citationPasseio (Platform for Art and Urban Culture of CECS/UMinho, Portugal)en_US
dc.identifier.urihttps://hdl.handle.net/20.500.14279/32254-
dc.description.abstractThis visual essay draws the trajectory of an uneasy spatiotemporal navigation into post and neo-colonial contexts and cultural disputes. It comes us a response to my, first ever, entry and peripatetic wondering(s) into the formerly enclosed area of Varosha, in the city of Famagusta (Ammochostos), Cyprus. It further expands on relevant disputes and ideas that relate my art practice’s propositions, research and works.en_US
dc.formatPublicationen_US
dc.language.isoenen_US
dc.relation.ispartofMovementen_US
dc.rightsAttribution-NoDerivatives 4.0 Internationalen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/*
dc.subjectArtsen_US
dc.titlePost and neo-colonial proximities | exiting Varosha. A Visual Essayen_US
dc.typeArticleen_US
dc.linkhttps://www.passeio.pt/en/galeria/proximidades-pos-e-neo-coloniais-a-saida-de-varosha/en_US
dc.collaborationPasseio Platform for Urban Art and Cultureen_US
dc.collaborationCyprus University of Technologyen_US
dc.subject.categoryArtsen_US
dc.journalsOpen Accessen_US
dc.countryPortugalen_US
dc.countryCyprusen_US
dc.subject.fieldHumanitiesen_US
dc.relation.issueJune 2023en_US
cut.common.academicyear2023-2024en_US
item.languageiso639-1en-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.fulltextNo Fulltext-
item.grantfulltextnone-
item.openairetypearticle-
item.cerifentitytypePublications-
crisitem.author.deptDepartment of Fine Arts-
crisitem.author.facultyFaculty of Fine and Applied Arts-
crisitem.author.parentorgFaculty of Fine and Applied Arts-
Εμφανίζεται στις συλλογές:Άρθρα/Articles
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