Please use this identifier to cite or link to this item:
https://hdl.handle.net/20.500.14279/31666
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Markou, Georgios E. | - |
dc.date.accessioned | 2024-02-28T09:32:08Z | - |
dc.date.available | 2024-02-28T09:32:08Z | - |
dc.date.issued | 2023-09-01 | - |
dc.identifier.citation | Source: Notes in the History of Art, 2023, vol. 43, no. 1, pp. 25-34 | en_US |
dc.identifier.issn | 2328207X | - |
dc.identifier.uri | https://hdl.handle.net/20.500.14279/31666 | - |
dc.format | en_US | |
dc.language.iso | en | en_US |
dc.relation.ispartof | Source: Notes in the History of Art | en_US |
dc.title | Carlo Crivelli’s 'Madonna of the Passion' and the Lost Church of San Sebastiano, Venice | en_US |
dc.type | Article | en_US |
dc.collaboration | University of Cambridge | en_US |
dc.subject.category | Arts | en_US |
dc.journals | Subscription | en_US |
dc.country | United Kingdom | en_US |
dc.subject.field | Humanities | en_US |
dc.publication | Peer Reviewed | en_US |
dc.identifier.doi | 10.1086/729027 | en_US |
dc.identifier.url | http://dx.doi.org/10.1086/729027 | - |
dc.relation.issue | 1 | en_US |
dc.relation.volume | 43 | en_US |
cut.common.academicyear | 2023-2024 | en_US |
dc.identifier.external | 153930361 | - |
dc.identifier.spage | 25 | en_US |
dc.identifier.epage | 34 | en_US |
item.languageiso639-1 | en | - |
item.cerifentitytype | Publications | - |
item.openairetype | article | - |
item.openairecristype | http://purl.org/coar/resource_type/c_6501 | - |
item.fulltext | No Fulltext | - |
item.grantfulltext | none | - |
crisitem.journal.journalissn | 2328-207X | - |
crisitem.journal.publisher | The University of Chicago | - |
crisitem.author.dept | Department of Fine Arts | - |
crisitem.author.faculty | Faculty of Fine and Applied Arts | - |
crisitem.author.orcid | 0000-0001-9656-5599 | - |
crisitem.author.parentorg | Faculty of Fine and Applied Arts | - |
Appears in Collections: | Άρθρα/Articles |
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