Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.14279/31092
DC FieldValueLanguage
dc.contributor.authorMarkou, Georgios E.-
dc.date.accessioned2024-02-06T10:41:33Z-
dc.date.available2024-02-06T10:41:33Z-
dc.date.issued2023-
dc.identifier.citationBurlington Magazine, 2023en_US
dc.identifier.urihttps://hdl.handle.net/20.500.14279/31092-
dc.language.isoenen_US
dc.relation.ispartofBurlington Magazineen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internationalen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleTitian's' Allegory of Prudence'and Philip IIen_US
dc.typeArticleen_US
dc.collaborationUniversity of Cambridgeen_US
dc.subject.categoryArtsen_US
dc.journalsSubscriptionen_US
dc.countryUnited Kingdomen_US
dc.subject.fieldHumanitiesen_US
dc.publicationPeer Revieweden_US
cut.common.academicyear2023-2024en_US
item.languageiso639-1en-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.fulltextNo Fulltext-
item.grantfulltextnone-
item.openairetypearticle-
item.cerifentitytypePublications-
crisitem.author.deptDepartment of Fine Arts-
crisitem.author.facultyFaculty of Fine and Applied Arts-
crisitem.author.orcid0000-0001-9656-5599-
crisitem.author.parentorgFaculty of Fine and Applied Arts-
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