Please use this identifier to cite or link to this item:
https://hdl.handle.net/20.500.14279/23504
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Volanakis, Adonis | - |
dc.contributor.author | Koutsaftis, Théo | - |
dc.date.accessioned | 2021-11-01T12:00:52Z | - |
dc.date.available | 2021-11-01T12:00:52Z | - |
dc.date.issued | 2012 | - |
dc.identifier.citation | Études Théâtrales, 2012, vol. N° 54-55, no. 2-3, pp. 126-132 | en_US |
dc.identifier.issn | 07788738 | - |
dc.identifier.uri | https://hdl.handle.net/20.500.14279/23504 | - |
dc.format | en_US | |
dc.language.iso | fr | en_US |
dc.relation.ispartof | Études Théâtrales | en_US |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | en_US |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Scénographique | en_US |
dc.title | La scénographie, une pratique sociale performative ? | en_US |
dc.type | Article | en_US |
dc.collaboration | University of Patras | en_US |
dc.subject.category | Arts | en_US |
dc.journals | Subscription | en_US |
dc.country | Greece | en_US |
dc.subject.field | Humanities | en_US |
dc.publication | Peer Reviewed | en_US |
dc.identifier.doi | 10.3917/etth.054.0126 | en_US |
dc.relation.issue | 2-3 | en_US |
dc.relation.volume | 54-55 | en_US |
cut.common.academicyear | 2011-2012 | en_US |
dc.identifier.spage | 126 | en_US |
dc.identifier.epage | 132 | en_US |
item.openairecristype | http://purl.org/coar/resource_type/c_6501 | - |
item.openairetype | article | - |
item.languageiso639-1 | fr | - |
item.fulltext | No Fulltext | - |
item.cerifentitytype | Publications | - |
item.grantfulltext | none | - |
crisitem.journal.journalissn | 0778-8738 | - |
crisitem.journal.publisher | L'Harmattan | - |
crisitem.author.dept | Department of Fine Arts | - |
crisitem.author.faculty | Faculty of Fine and Applied Arts | - |
crisitem.author.parentorg | Faculty of Fine and Applied Arts | - |
Appears in Collections: | Άρθρα/Articles |
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