Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.14279/23504
DC FieldValueLanguage
dc.contributor.authorVolanakis, Adonis-
dc.contributor.authorKoutsaftis, Théo-
dc.date.accessioned2021-11-01T12:00:52Z-
dc.date.available2021-11-01T12:00:52Z-
dc.date.issued2012-
dc.identifier.citationÉtudes Théâtrales, 2012, vol. N° 54-55, no. 2-3, pp. 126-132en_US
dc.identifier.issn07788738-
dc.identifier.urihttps://hdl.handle.net/20.500.14279/23504-
dc.formatpdfen_US
dc.language.isofren_US
dc.relation.ispartofÉtudes Théâtralesen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internationalen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectScénographiqueen_US
dc.titleLa scénographie, une pratique sociale performative ?en_US
dc.typeArticleen_US
dc.collaborationUniversity of Patrasen_US
dc.subject.categoryArtsen_US
dc.journalsSubscriptionen_US
dc.countryGreeceen_US
dc.subject.fieldHumanitiesen_US
dc.publicationPeer Revieweden_US
dc.identifier.doi10.3917/etth.054.0126en_US
dc.relation.issue2-3en_US
dc.relation.volume54-55en_US
cut.common.academicyear2011-2012en_US
dc.identifier.spage126en_US
dc.identifier.epage132en_US
item.cerifentitytypePublications-
item.openairetypearticle-
item.grantfulltextnone-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.languageiso639-1fr-
item.fulltextNo Fulltext-
crisitem.journal.journalissn0778-8738-
crisitem.journal.publisherL'Harmattan-
crisitem.author.deptDepartment of Fine Arts-
crisitem.author.facultyFaculty of Fine and Applied Arts-
crisitem.author.parentorgFaculty of Fine and Applied Arts-
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