Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.14279/18570
DC FieldValueLanguage
dc.contributor.authorStylianou-Lambert, Theopisti-
dc.date.accessioned2020-07-24T09:23:08Z-
dc.date.available2020-07-24T09:23:08Z-
dc.date.issued2019-09-02-
dc.identifier.citationPhotographies, 2019, vol. 12, no. 3, pp. 375-394en_US
dc.identifier.issn17540771-
dc.identifier.urihttps://hdl.handle.net/20.500.14279/18570-
dc.description.abstractThis article offers a theoretical framework for understanding the social structures embedded in photographic archives. More specifically, it examines the ways in which archives, with their multiple physical and online presences, function within various photographic ecosystems. I propose that there exist at least three different but interconnected types of archive biographies — social, material and value biographies — and argue that these biographies may change over time, in the hands of different individuals, and when shifting from one ecosystem to another. Furthermore, not all images in a specific ecosystem are equal, as some will have a more active social life and thus are more dominant. As a case study, I use the photographic archive of the Stiftung Hans Arp und Sophie Taeuber-Arp e.V. in Berlin, Germany, which houses the personal photographs of artists Hans Arp (1886–1966) and Sophie Taeuber-Arp (1889–1943).en_US
dc.formatpdfen_US
dc.language.isoenen_US
dc.relation.ispartofPhotographiesen_US
dc.rights© Taylor & Francisen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States-
dc.subjectSocial structuresen_US
dc.subjectPhotographic archivesen_US
dc.subjectArchive biographiesen_US
dc.subjectStiftung Hans Arpen_US
dc.subjectSophie Taeuber-Arpen_US
dc.subjectHans Arpen_US
dc.titlePhotographic Ecosystems and Archivesen_US
dc.typeArticleen_US
dc.collaborationCyprus University of Technologyen_US
dc.subject.categoryArtsen_US
dc.journalsSubscriptionen_US
dc.countryCyprusen_US
dc.subject.fieldHumanitiesen_US
dc.publicationPeer Revieweden_US
dc.identifier.doi10.1080/17540763.2019.1625808en_US
dc.identifier.scopus2-s2.0-85073223277-
dc.identifier.urlhttps://api.elsevier.com/content/abstract/scopus_id/85073223277-
dc.relation.issue3en_US
dc.relation.volume12en_US
cut.common.academicyear2019-2020en_US
dc.identifier.spage375en_US
dc.identifier.epage394en_US
item.fulltextNo Fulltext-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.openairetypearticle-
item.grantfulltextnone-
item.languageiso639-1en-
item.cerifentitytypePublications-
crisitem.author.deptDepartment of Multimedia and Graphic Arts-
crisitem.author.facultyFaculty of Fine and Applied Arts-
crisitem.author.orcid0000-0003-3494-8433-
crisitem.author.parentorgFaculty of Fine and Applied Arts-
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