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    <link>https://hdl.handle.net/20.500.14279/18976</link>
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    <pubDate>Wed, 27 May 2026 14:39:33 GMT</pubDate>
    <dc:date>2026-05-27T14:39:33Z</dc:date>
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      <title>Ολιστική Προσέγγιση στη Φροντίδα Ατόμων με Άνοια: Κλινικές, Επικοινωνιακές και Ηθικές Δεξιότητες για Επαγγελματίες Φροντιστές/τριες</title>
      <link>https://hdl.handle.net/20.500.14279/36419</link>
      <description>Title: Ολιστική Προσέγγιση στη Φροντίδα Ατόμων με Άνοια: Κλινικές, Επικοινωνιακές και Ηθικές Δεξιότητες για Επαγγελματίες Φροντιστές/τριες
Authors: Sokratous, Sokratis; Charitou, Skevi; Nikoloaidou, Elena</description>
      <pubDate>Mon, 10 Mar 2025 00:00:00 GMT</pubDate>
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      <dc:date>2025-03-10T00:00:00Z</dc:date>
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      <title>Cross-Cultural communication for Diplomats</title>
      <link>https://hdl.handle.net/20.500.14279/36055</link>
      <description>Title: Cross-Cultural communication for Diplomats
Authors: Zarkada, Anna K.</description>
      <pubDate>Wed, 01 Jan 2025 00:00:00 GMT</pubDate>
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      <dc:date>2025-01-01T00:00:00Z</dc:date>
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      <title>Semiotics and Blackout Poetry at Lasalle College of the Arts</title>
      <link>https://hdl.handle.net/20.500.14279/35893</link>
      <description>Title: Semiotics and Blackout Poetry at Lasalle College of the Arts
Authors: Zantides, Evripides
Abstract: The workshop on Semiotics and Blackout Poetry investigates the intersection of written language, typography, and hierarchy of information through the practice of erasure-based poetic expression. Drawing on semiotics—the tstudy of signs and their meaning—it provides a framework for analyzing how written language, typography, and imagery contribute to the construction of meaning within both textual and graphic design layout.&#xD;
Blackout poetry, which entails the redaction of existing texts to uncover new narratives, operates as a methodological tool for the deconstruction and reconstruction of meaning. By selectively omitting words, participants engage in a semiotic process that destabilizes traditional notions of authorship, surfaces latent or personal narratives, and enables alternative readings of textual material to give birth to a poem. The workshop emphasizes the role of both presence and absence in the generation of meaning, foregrounding how erasure can function simultaneously as an aesthetic strategy and a political gesture.&#xD;
Through structured activities, participants will analyze the semiotic implications of their compositional choices, gaining insight into how visual, textual and hierarchical elements interact to produce layered interpretations. Additionally, they will explore the integration of illustration, image, or collage as extensions of their poetic text, further contributing to the overall communicative meaning and impact of their blackout poem.</description>
      <pubDate>Wed, 17 Sep 2025 00:00:00 GMT</pubDate>
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      <dc:date>2025-09-17T00:00:00Z</dc:date>
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      <title>Semiotics and Blackout Poetry</title>
      <link>https://hdl.handle.net/20.500.14279/35843</link>
      <description>Title: Semiotics and Blackout Poetry
Authors: Zantides, Evripides
Abstract: The workshop Semiotics and Blackout Poetry explores the interplay between written language, typography and meaning-making through the lens of erasure-based poetic expression. Semiotics, the study of signs and their interpretation, provides a theoretical foundation for understanding how language, typography and image construct meaning in both, textual, and graphic design contexts. Blackout poetry, which involves redacting portions of an existing text to reveal a new narrative, serves as a creative exercise in deconstructing and reconstructing meaning. By strategically eliminating words, participants engage in a semiotic process that challenges traditional authorship, highlights hidden narratives, and invites new interpretations of textual material. This workshop encourages critical engagement with language in respect of graphic design layout and hierarchy of information, and fosters an awareness of how meaning is shaped by both presence and absence. Through guided activities, participants will analyze the semiotic implications of their poetic choices, gaining insight into how “erasuring” functions as both an aesthetic and political act in literary and graphic design meaning.</description>
      <pubDate>Fri, 30 May 2025 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://hdl.handle.net/20.500.14279/35843</guid>
      <dc:date>2025-05-30T00:00:00Z</dc:date>
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